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Dancing to an Orange Drummer

In my “The Riot of Spring” I question myself: “What is folklore today? What bears today the energy of the collective unconscious? Is it destructive or neutral for the elite post-postmodernistic consciousness? Is it compatible with the academic concert situation?” The answers to these questions I try to find in turning to the rave culture, to the electronic music – dubstep, idm, d&b. This is not an attempt to imitate the existing genre, not an “away match”, but a rave prepared by the composers’ perception and, not to a lesser extent, an experience of the composer’s perception preparation by the rave. I decided consciously not to synthesize new sounds, working with sound samples the way composers worked with folk or, to go deeper, with ready instrumental sounds and timbres in the European tradition. However, the structuring of the material follows the logic I used while working with a more familiar to me instrumental material. Trying to define the genre of “The Riot of Spring” I’d derive a term “technoballet”, or “electroballet”. At the same time, it is evident that the words “riot” and “spring” are full of connotations with the actual situation in Russia. I’m quite far from the politics, however, the situation we live in directly or indirectly influences us, induces to act or to reflect. Dmitri Kourliandski
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最新版本

  1. Three Scenes : for oboe, clarinet, bassoon and piano (with kick drum) / Zaid Jabri
  2. The Periodic Table : for orchestra / Jakob Klaasse
  3. We grow accustomed to the Dark : for soprano and piano / Joke Kegel; text by Emily Dickinson
  4. Suite : für 3 Blasinstrumente / Carl-Richard Linder
  5. Trois pièces : pour clarinette et piano / Carl-Richard Linder
  6. Sonate : für Flöte und Klavier / Carl-Richard Linder
  7. Sonate : für A. Klarinette und Klavier (Sonate in e-moll) / Carl-Richard Linder
  8. Grote Sonate : for piano / Dick van der Ven
  9. Songs, prayers and madrigals : for string quartet
  10. Requiem for a Guinea Pig : Version for a pianist with 2 toy pianos / Andreas Kunstein

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