亮点

Meeting Point

In my “The Riot of Spring” I question myself: “What is folklore today? What bears today the energy of the collective unconscious? Is it destructive or neutral for the elite post-postmodernistic consciousness? Is it compatible with the academic concert situation?” The answers to these questions I try to find in turning to the rave culture, to the electronic music – dubstep, idm, d&b. This is not an attempt to imitate the existing genre, not an “away match”, but a rave prepared by the composers’ perception and, not to a lesser extent, an experience of the composer’s perception preparation by the rave. I decided consciously not to synthesize new sounds, working with sound samples the way composers worked with folk or, to go deeper, with ready instrumental sounds and timbres in the European tradition. However, the structuring of the material follows the logic I used while working with a more familiar to me instrumental material. Trying to define the genre of “The Riot of Spring” I’d derive a term “technoballet”, or “electroballet”. At the same time, it is evident that the words “riot” and “spring” are full of connotations with the actual situation in Russia. I’m quite far from the politics, however, the situation we live in directly or indirectly influences us, induces to act or to reflect. Dmitri Kourliandski
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最新版本

  1. The Rock We all Push : Version for saxophone orchestra and tape / Chiel Meijering
  2. Elegy and Syrian folk : for bras quintet / Wassim Ibrahim
  3. Prelude and Elegy : For choir / Wassim Ibrahim
  4. Passacaglia : for Orchestra / Wassim Ibrahim
  5. Damascus Night : for piano / Wassim Ibrahim
  6. Womb : for Orchestra / Wassim Ibrahim
  7. Damascus Breeze : For female choir / Wassim Ibrahim
  8. Memories of a Childhood : For Oboe, Violin, Cello and Piano / Wassim Ibrahim
  9. Piece for English horn, Bass clarinet and 11 strings : for English horn, Bass clarinet and 11 strings / Wassim Ibrahim
  10. Piece for Orchestra : for Orchestra / Wassim Ibrahim

热门作品

  1. Afterwalk (après promenade) : for partially prepared piano / Christina Viola Oorebeek
  2. Calling : Long version; for bass clarinet / Calliope Tsoupaki
  3. Impressions of a Pilgrimage : for mixed choir and small orchestra / Dick Le Mair
  4. Canto Ostinato : voor toetsinstrumenten, 1976-79 / Simeon ten Holt
  5. Quarantine Music Nº 2: "Zanshin" : for double bass a cappella / Amos Elkana
  6. Lullaby : Version for piano 4 hands / Nimrod Borenstein
  7. Quatre offertoires sur des chants grégoriens : for organ / F. Xavier Gelabert i Muntaner
  8. En-Kin-Esi [Εν Κινήσει] : for bass clarinet / Georgia Nicolaou
  9. Études opus 66 : for piano / Nimrod Borenstein
  10. Concerto for Oboe Section : Version for 3 oboes and string quintet / Michael Fine