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在Donemus目录中有4首作品

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Messe des pauvres / voor koor, 15 solo-strijkers, akkordeon, contrabasklarinet en harp bewerkt (in 1980) door Louis Andriessen, Erik Satie

体裁: 声乐
子体裁: Mixed choir and large ensemble
乐器: GK2 cl-cb hp acc 7vl 2vla 4vc 2cb

Jack in the Box - Prélude : voor ensemble / Erik Satie / Hans Koolmees

体裁: 管弦乐队
子体裁: Large ensemble (12 or more players)
乐器: fl ob sax-a cl cl-b fg h tpt trb perc hp acc vn vc

Trois gnossiennes : 1890 / orchestré par Willem Frederik Bon dec. 1976, Erik Satie

体裁: 管弦乐队
子体裁: Orchestra
乐器: 2222 sax-a 3200 perc(cel) hp str(8.6.5.4.2.)

最新版本

Jack in the Box - Prélude : voor ensemble / Erik Satie / Hans Koolmees

体裁: 管弦乐队
子体裁: Large ensemble (12 or more players)
乐器: fl ob sax-a cl cl-b fg h tpt trb perc hp acc vn vc

 

作曲家

Satie, Erik

国籍: France
出生日期: 1866-05-17
逝世日期: 1925-07-01

Éric Alfred Leslie Satie (17 May 1866 – 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.
An eccentric, Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds"), preferring this designation to that of "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.
In addition to his body of music, Satie left a set of writings, having contributed work for a range of publications from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on publishing his work under his own name, in the late 19th century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.
Source: Wikipedia