作曲家

Brewaeys, Luc


相关作品

.., e poi c’era… : Symphony Nº 1 / Luc Brewaeys

体裁: 管弦乐队
子体裁: Orchestra
乐器: 3fl 3ob 3cl 3fg 4h 3trp 3trb tb 4perc hp pf perc

Epiloog : Joh. Bordewijk-Roepman

体裁: 管弦乐队
子体裁: Orchestra
乐器: 3322 4231 timp perc hp str

Ritmische studies : voor kamerorkest, opus 58 / Géza Frid

体裁: 管弦乐队
子体裁: Orchestra
乐器: 1212 1000 timp pf str

Sunbeams : for orchestra, 1986-1998 / Michael Fahres

体裁: 管弦乐队
子体裁: Orchestra
乐器: 2pic 2fl 2ob eh 3cl cl-b 2fg cfg 2sax 4h 3trp 2trb tb timp 8perc hp g-b pf str

 

作品

.., e poi c’era… : Symphony Nº 1 / Luc Brewaeys

出版编号: 13656
体裁: 管弦乐队
子体裁: Orchestra
乐器: 3fl 3ob 3cl 3fg 4h 3trp 3trb tb 4perc hp pf perc
时长: 15'00"
成分年份: 1985
状态: 完全数字化(即时送达)

描述:
This work was composed in januari 1985 on request of my former teacher André Laporte to be originally first performed at the occasion of a EBU-concert in Madrid in december '85. That performance finally became the second, since the work received the 3rd Prize at the European Competition for Young Composers organized in Amsterdam and received its premiere on september 27, 1985 in the Cultural Center Hoogpoort in Groningen by the NOS Philharmonic Orchestra conducted by David PORCELIJN. The italian title means ".., and there there was...". It is because this composition was the first I wrote after a year of absolute (creative) silence. I used to compose in so-called post-serial style, exception made for one work ("Het Raadsel van de Sfinks" - "The Enigma of the Sphonx" - filmmusic for 6 Players) in which were elements of overtone-techniques, which are now a constance in my output. After this silence came ".., e poi c'era...". The work is in one single movement, divided into 5 sections, of which only the 4th is clearly different. The basic idea consists in a kind of noise -described by a Dutch critic as "an organ with leaky pipes"- based upon harmonics in the low string instriuments, their strings tuned even very 'loose', with percussion. This noise is very regularly "coloured" in the most diverse ways. It's actually not very much more than that, but elaborated until the smallest details. Everything is on the edge of the inaudible. After some 10 minutes comes a Tutti in fortissimo, followed by a huge crescendo. The last section is some sort of mirror of the start. The score end with a question mark : I supposed things would be clarified in "Komm! Hebe dich...", my Second Symphony. This Symphony is dedicated to my American friend and fellow-composer John Califra.

购买
如果您将要表演这首作品,您可以在此提供音乐会信息。我们会将此信息公布在Donemus的Facebook页面Donemus音乐会日程表上
您可以在线购买部分或其他相关制品。如果您选择了可供下载的格式,您将会收到电子版制品。除此之外,我们将会递送纸质版。请注意您需要为每一个使用者都购买一份副本。
制品 描述 价格/首 数量
总谱 下载(Newzik A3), 32页 EUR 22.44
下载(PDF A3), 32页 EUR 26.93
纸质版,普通版尺寸(A3), 32页 EUR 44.89
纸质版,学习版尺寸(A4), 32页 EUR 30.60