作曲家

Lukawski, Adam


相关作品

Xing : for 2 conductors and ensemble / Adam Łukawski

体裁: 管弦乐队
子体裁: Large ensemble (12 or more players)
乐器: fl/picc ob cl/cl-b fg 2h 2tpt trb tb 4perc hp acc 2vn vla vc db

Lantern lectures : for sinfonietta, 1999-2002, (Brass Link III / Aurora Borealis), Volume III / Klas Torstensson

体裁: 管弦乐队
子体裁: Large ensemble (12 or more players)
乐器: fl(pic) eh cl cl-b fg h trp trb perc pf 2vl vla vc cb

Concerto Grosso : for wind quartet and ensemble / Jan-Peter de Graaff

体裁: 管弦乐队
子体裁: Large ensemble (12 or more players)
乐器: sax-s sax-a trb trb-b fl eh/ob cl cl-b sax-bar fg h tpt timp 2perc hp cemb 2vln vla vc db

Blättern : for ensemble, 1994 / Micha Hamel

体裁: 管弦乐队
子体裁: Large ensemble (12 or more players)
乐器: 1132 2000 2vl vla vc cb

 

作品

Xing : for 2 conductors and ensemble / Adam Łukawski

出版编号: 19913
体裁: 管弦乐队
子体裁: Large ensemble (12 or more players)
乐器: fl/picc ob cl/cl-b fg 2h 2tpt trb tb 4perc hp acc 2vn vla vc db
注释: Commissioned by Composers’ Festival Amsterdam. Premiere: 9.05.2019, The Score Collective Ensemble, conducted by Bas van Yperen and Ben Weishaupt.
时长: 17'00"
表演者数量: 21
成分年份: 2019
状态: 完全数字化(即时送达)

描述:
In Chinese philosophy, before the beginning of matter, there is just nothingness - such emptiness that for a human being it is not possible to imagine it. From emptiness, borders are created (Xing) to make a form for a perceivable emptiness (Wu). Some of the other meanings of Xing are: "new beginning", "to wake up", "to conduct".
The form of the piece was inspired by the physical string theory in which collisions of gigantic string-shaped structures give birth to the new universes operating with different dimensions and physical rules. In the piece, conductors deciding tempi of separate structures causes their meetings and beginnings of new small soundscapes.
The concept of an idea of connecting different elements to create something new in a secular ritual of logic and rhetoric reminds me of the one from the last novel by Hermann Hesse - The Glass Bead Game. As this concept is very important to me, I decided to translate his poem with the same title into the rhythmical code and further incorporate it into the musical structure as a symbol in the last 90 seconds of music.
Adam Łukawski

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