作曲家

Nielson, Lewis


相关作品

Tocsin (Die fünf Jahreszeiten) : for percussion sextet / Lewis Nielson

体裁: 室内乐
子体裁: Percussion
乐器: 6perc

Time of the Season : for flute, clarinet, violin and piano / Walter Hekster

体裁: 室内乐
子体裁: Mixed ensemble (2-12 players)
乐器: fl cl vl pf

Passage à 5 : for violin, guitar, accordion, piano and contrabass / Frédéric Devreese

体裁: 室内乐
子体裁: Mixed ensemble (2-12 players)
乐器: vln gtr acc pf db

Concerto in D-minor : Arrangement for violin and ensemble / Robert Schumann (arranged by Ernst Spyckerelle)

体裁: 室内乐
子体裁: Mixed ensemble (2-12 players)
乐器: vn-solo fl ob cl fg h vn vla vc db

 

作品

Axis (Sandman) : for percussion and string quintet / Lewis Nielson

出版编号: 20812
体裁: 室内乐
子体裁: Mixed ensemble (2-12 players)
乐器: perc 2vn vla 2vc
注释: Written for and dedicated to Steven Schick. Also available in the version for percussion and string orchestra.
时长: 14'30"
表演者数量: 6
成分年份: 2005
状态: 完全数字化(即时送达)

描述:
Axis has no overt process that directs its motion but does have a gradually evolving motion toward greater coordination of attack rhythm and sound focus, manifested primarily through stabilization in the percussion on particular instruments for increasing periods of time. A kind of symbiosis exists between strings and percussion (not and NEVER an opposition!) that facilitates, and occasionally redirects, this motion. The sound of the piece does not depend in any way on its pitch content, which was determined solely as a function of timbre. The compositional challenge was to write for strings as if they were multiple percussion set-ups within themselves and arrive at a combinative structure whose progress is directed by rhythm and timbre only. While there is no final performance set-up of the total ensemble that I would consider essential, an arrangement where the strings were somehow to be arrayed around the percussionist would be ideal, providing the performers can see and communicate with each other, that all sounds can be perceived individually, and, if a conductor is used, line of sight to him or her is not impeded. This would be ideal in the version for string orchestra. While I resist programmatic reference to visual imagery, I would find a configuration along the lines of Dante’s Celestial Rose to be ideal.
Lewis Nielson

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