作曲家
Simeon ten Holt (24 januari 1923, Bergen) studeert in zijn geboorteplaats piano en muziektheorie bij de componist Jacob van Domselaer, en gaat vervolgens naar Parijs waar hij studeert bij Arthur ...
相关作品
Canto Ostinato : voor toetsinstrumenten, 1976-79 / Simeon ten Holt
体裁:
室内乐
子体裁:
Piano
乐器:
4pf
Soloduiveldans IV : voor piano, 1998 / Simeon ten Holt
体裁:
室内乐
子体裁:
Piano
乐器:
pf
2de sonate : voor piano, op. 59, gecomp. te Amsterdam 1956 / Wolfgang Wijdeveld
体裁:
室内乐
子体裁:
Piano
乐器:
pf
Mascarade : pour piano / Frédéric Devreese
体裁:
室内乐
子体裁:
Piano
乐器:
pf
作品
Canto Ostinato : voor toetsinstrumenten, 1976-79 / Simeon ten Holt
描述:
Canto Ostinato can be played by various combinations of one or more types of keyboard instruments. Here, four pianos are used. The work originates from a traditional source, it is tonal and uses functional harmonies. Although all the subdivisions have a fixed place in the course of the work and are not interchangeable, the beginning and ending do not have an absolute form-bordering significance. Cause and result, tension and relaxation - inseparable pairs of functions are used as independent entities, and as they proceed they are brought to a standstill through the repetitions. Chords or chord groups, comprised in bars or sections, disengage themselves from the melodic ties and start to lead a life of their own. Time plays an important role. The bars or sections have been given repetition signs; the number of times they are repeated is to be decided by the performers. The repetition procedure aims at creating a situation in which the musical object confirms its independence and can search for the most favourable position with respect to the light. Time becomes the space in which the musical object is going to float. - SIMEON TEN HOLT